The Anatrofobia are one of the best kept secrets of the music research, and not only Italian, and the concert at Magnolia did not confirm that in this writer's impression, established and consolidated over the years thanks to a continuous and pleasant attendance of their sound forge.
opens the concert, and is a pleasant surprise, with his mototrabbasso Lullo Mosso, which in a global zapping between irregular ragga acrobatic numbers, the Ruins, scat wild, unconventional French songs and much more, while holding the bass, delay and voice excited the present and gives a good half hour of balsamic vinegar, intelligent, fun.
Then comes the turn of the canalside, deployed for the occasion a quartet with the presence of the Genoese violinist Stefano Pastor, and is the second time ever that this musician meets the trio piemontese.Improvvisazione therefore slippery slope but also capable of giving valuable nuggets if you have the flair and the right tools to dig .
Real dowsers sound, our music depict a nervous, sharp, full of silences, dynamic range, where the timber research plays a key role. The low Luca Cartolari comes directly from the laptop to get something different from the usual bass, his work and his brother Alessandro (masterful, and it is not hyperbole, even on sax) electronics are original and amazing views of the impressions is able to create, while the battery Andrea Biondello free travel between the approach a little Tony Oxley (but with more swing) and references ancestrali.In this labyrinth, but not messy, is part of the violin with skill which always goes to Pastor check the edges and adds substance to a melodic music impressive design, clarity and power.
difficult to account for the substance that seems almost philosophical move these instant compositions, the only way it seems that the suggestione.Assistiamo the miracle of sound in the making, a slow, tight (it seems a paradox and it is) groping in the dark . The people after the second movement comes close to the stage, almost haunted by the shamanic power of the four. The ecstatic quality of Indian raga, the harshness European entrepreneur, the tension of some classical opera, ghosts and shadows stumble shuffle that jazz: These are just some of the references to music of extraordinary power immaginifico.La quality of this band, Recalls that in some places the 'hardcore Chamber Koch-Schutz-Studer, lies in the ability to escape all the rhetoric and known to sit on the edge of silenzio.Pericolosamente.Tutto ends with a sigh of sax that slowly fades, and after in the head there is only room for eco fruitful this time for real music outher SPACE
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